The consequences of alexs acts of violence in the film a clockwork orange by anthony burgess

a clockwork orange analysis

It looks like the whole discussion about violence in A Clockwork Orange really first came up when Stanley Kubrick's movie version hit the theatres. They differ only in their dogma. A very British nightmare How the press reacted "What on earth induced our censors to pass these startling scenes of rape and violence?

At one point the group breaks into a cottage, beating a young writer and gang raping his wife, who later dies. For the next two years, Britons debate Kubrick's film, some lauding it for its artistry and social relevance, others condemning it for glorifying violence.

A clockwork orange book

Irrespective of the value of his other work, however, A Clockwork Orange remains a novel of immense power. And we learn that the victim of Alex's rape died after the assault, ostensibly of an unrelated illness, but that her grieving widower knows in his heart that the rapist is guilty. My dad was like humble mumble chumble. Still, thanks. Alexander invites Alex who does not recognise his host into his house and tries a revenge on the injured teenager. You may even, like me, reject the glib and icy pessimism of its message. Did the director believe his film really was dangerous? Violence in A Clockwork Orange — An often discussed theme of novel and film After the release of Stanley Kubrick's film version of A Clockwork Orange in , Anthony Burgess's original novel of and the film were obstinately criticised to be senselessly brutal and it was and is said until today that both Burgess and Kubrick glorified violence with their works.

The Skinnerian view of man appalled him. She is given the name Miss Weathers in the film.

a clockwork orange quotes

Keen to clear "ordinary" criminals like Alex out of prison to make room for political subversives, the government makes him the guinea-pig for a fast-track rehabilitation-brainwash: an aversion therapy in which he is forced to watch scenes of violence, his eyelids clipped open, saline solution dropped into his flinching eyeballs.

The term's association with aesthetic violence has led to its use in the media. The term "ultraviolence", referring to excessive or unjustified violence, was coined by Burgess in the book, which includes the phrase "do the ultra-violent". The two endings of A Clockwork Orange—the one that Burgess himself wrote and the truncated one that his American publisher wanted and that Kubrick used for his film—have very different meanings.

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A Clockwork Orange (novel)