The depiction of love in the hunchback of notre dame

The depiction of love in the hunchback of notre dame

But Frollo's loyalty is nowhere near as exemplary as Quasimodo's, and although he sees his adopted child suffering unjustly, Frollo does not come to Quasimodo's defense. Although his contemporaries applauded his novel, in many ways Hugo's The Hunchback of Notre Dame was also shocking in its time. Its effect could also be seen in the many interpretations that movie producers give it about every thirty years. For his part, Frollo strove for knowledge until he encountered the captivatingly gorgeous gypsy dancer, Esmeralda. Hugo opposes this vision to the more recent developments of Parisian geography and deplores the Renaissance and its effects. I wonder, really, whether that's an offshoot of several generations of readers and writers raised on the movies. And in that end, she once again has a profound effect, not just on the storyline and the fictitious people who play out their created roles. When the soldiers come to take La Esmeralda away, Pacquette fights to keep her daughter with her. The Hunch-back of Notre-Dame is a Gothic cathedral of a novel, as endlessly beautiful, instructive, tragic, and brilliantly formed, as darkly funny, diverting, and entertaining. Gringoire is driven to find out who this beautiful woman is and why she demands so much attention, pulling his audience away as they have more interest in her than in Gringoire's play.

Just because something happens less often, does that make it less realistic? It should be pointed out that La Esmeralda is powerful in spite of herself. This scene demonstrates that the king's men are heartless, and the public is disgusted with their awkward authority.

Theme of love in the hunchback of notre dame

He also orders La Esmeralda's immediate execution because he is told she is the reason the people are revolting. She is willing to sacrifice her virtue to Phoebus, however, and her blind love for the handsome soldier leads to her destruction. The men incarnate different classes of medieval society: Quasimodo, the cathedral's hunchbacked bell ringer, represents the lower classes; Claude Frollo, the cathedral's deacon and Quasimodo's guardian, represents the clergy; Pierre Gringoire, an unappreciated author, is marginalized, as unable to participate in society as he is to consummate his marriage of convenience to Esmeralda. Unknown to La Esmeralda, Phoebus does not die but actually heals from his wounds and is later responsible for arresting a band of gypsies, which includes La Esmeralda. At one point Quasimodo must choose between his first love, Frollo, and his love for La Esmeralda when Frollo attempts to rape her. And then he meets Esmeralda, and forsakes them. From atop the mighty Notre Dame cathedral, Quasimodo, a deformed hunchback who rings the bells, looks down on the crowd in contempt.

Hulce really brings this character to life, and makes him a distinctly unique and wonderful part of Disney's saga.

In the first Hugo claims to evoke the cathedral, not as it is inbut as it was inbefore the ravages of time and man. Chapters 51—57 King Louis hears that the citizens are revolting against him.

Gringoire is not a successful playwright by any means.

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Quasimodo does not fully comprehend why he has been asked to do so, nor does he completely understand the consequences when he is caught.

The public abandons him in many ways, mocking and jeering him every time he appears outside his cloistered shelter. There is also the general intolerance against the gypsies who are accused of every crime from theft to sorcery, whether or not they have committed them.

Frollo has existed on the food of thought.

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Love in The Hunchback of Notre Dame